A Virtual Reality(VR) application requires new user intefaces(UIs) that can enhance the experiences of 3D space in immersive virtual environments. VR interfaces support selecting, positioning, and rotating of virtual s, drawing paths, assigning numerical values and text input. Recently there are many challenges to propose new UI paradigms for spatial interaction in VR environments. This paper has been investigated existing spartial interfaces for VR. VRUIs is classified into four technique: navigation, selection, manipulation and system control.

A Virtual Reality(VR) application requires new user intefaces(UIs) that can enhance the experiences of 3D space in immersive virtual environments. VR interfaces support selecting, positioning, and rotating of virtual s, drawing paths, assigning numerical values and text input. Recently there are many challenges to propose new UI paradigms for spatial interaction in VR environments. This paper has been investigated existing spartial interfaces for VR. VRUIs is classified into four technique: navigation, selection, manipulation and system control.

In order to preserve the artistic field, especially among the Chosun royal court culture which has disappeared since the Japan’s annexation of Korea, Office of Yi Dynasty’s ministry of music has passed down the Jung Jae (Songs and dances performed during a festival at the royal palace) with great effort under the extreme conditions, despite dissuasion by the Japanese Government General of Korea and, and especially in 1930. In order to do so, the court music students were recruited and trained and banquets were held.The purpose of this study is to re-examine the work in which the Chosun Jung Jae is to be preserved and the ways to move forward, how the traditional dances were passed down in accordance with the flow of the times, with a focus on the Bo Sang Mu among the traditional dances performed. The researcher analyzed and researched the footages of "Mudong" of "1931 Yi Royal Family’s Classical - ChosunMuak" based on the remaining historic factual basis of Chosun Jung Jae. This study found that male dancer’s movement, accompaniment music, lyrics, and costumes are differenttoday’s reproduction and they have been changed. It is considered that continuous restoration and in-depth study are needed going forward. In addition, it is hoped that this study can be used as reference data for passing down the court dance, and suggestions are provided as how to revitalize Bo Sang Mu.

In order to preserve the artistic field, especially among the Chosun royal court culture which has disappeared since the Japan’s annexation of Korea, Office of Yi Dynasty’s ministry of music has passed down the Jung Jae (Songs and dances performed during a festival at the royal palace) with great effort under the extreme conditions, despite dissuasion by the Japanese Government General of Korea and, and especially in 1930. In order to do so, the court music students were recruited and trained and banquets were held.The purpose of this study is to re-examine the work in which the Chosun Jung Jae is to be preserved and the ways to move forward, how the traditional dances were passed down in accordance with the flow of the times, with a focus on the Bo Sang Mu among the traditional dances performed. The researcher analyzed and researched the footages of "Mudong" of "1931 Yi Royal Family’s Classical - ChosunMuak" based on the remaining historic factual basis of Chosun Jung Jae. This study found that male dancer’s movement, accompaniment music, lyrics, and costumes are differenttoday’s reproduction and they have been changed. It is considered that continuous restoration and in-depth study are needed going forward. In addition, it is hoped that this study can be used as reference data for passing down the court dance, and suggestions are provided as how to revitalize Bo Sang Mu.

Culture intermediaries refers to those between cultural producer and consumer. They promote culture and art activities and enable people to access those activities as a middle ‘intermediary’. Art instructors, who perform Korean culture and art education policy business, are not only artists but also educators providing art education. The art education they provide means ‘education through art’. Taking charge of culture and art education, they directly participate in creation, enjoyment and communication as an artist. By doing so, they realize cultural changes in schools and local communities and mass-produce potential consumers of future generation. Based on the six-stereotyped roles of art instructor as a culture intermediary, this study re-establishes it as a culture intermediary through the field examples.

Culture intermediaries refers to those between cultural producer and consumer. They promote culture and art activities and enable people to access those activities as a middle ‘intermediary’. Art instructors, who perform Korean culture and art education policy business, are not only artists but also educators providing art education. The art education they provide means ‘education through art’. Taking charge of culture and art education, they directly participate in creation, enjoyment and communication as an artist. By doing so, they realize cultural changes in schools and local communities and mass-produce potential consumers of future generation. Based on the six-stereotyped roles of art instructor as a culture intermediary, this study re-establishes it as a culture intermediary through the field examples.